Although by no means a conventional narrative, and certainly a film inspired by the avant-garde’s simultaneous engagement with formal abstraction and material energy, L’Arrivée also engages with the history and form of narrative cinema. Certainly, its role in that relation is a critical one, revealing both the mechanism and the material that commercial cinema strives to conceal. But while engaged in a process of deconstruction, L’Arrivée also recognizes the power of cinema, utilizing its control over space, and in this film especially, time, in order to uncover the energies of motion and story, of the violence inherent in both revolt and containment. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1241/14622

Although by no means a conventional narrative, and certainly a film inspired by the avant-garde’s simultaneous engagement with formal abstraction and material energy, L’Arrivée also engages with the history and form of narrative cinema. Certainly, its role in that relation is a critical one, revealing both the mechanism and the material that commercial cinema strives to conceal. But while engaged in a process of deconstruction, L’Arrivée also recognizes the power of cinema, utilizing its control over space, and in this film especially, time, in order to uncover the energies of motion and story, of the violence inherent in both revolt and containment. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1241/14622

最多最全的英文儿歌，接轨国际升级上线！两岸强强联手，打造趣味精品！同步精选国外更受欢迎的英文儿歌，将语言融入情景与动作，超萌画面、地道发音、边唱边跳！快登上宝宝巴士，进入语言启蒙的快车道！

This is a part of an omnibus film called Pribitie Poezda (Arrival of a Train) made by several Russian directors, as an homage to brothers Lumiere on the 100th anniversary of cinematography. 　　One of the three films that comprise Arrival of a Train, a collection of shorts made to celebrate the centenary of cinema. Set at the turn of the 20th century, the film follows Trofim, a Russian peasant jealous of his wife for having an affair with his brother. Trofim kills his brother and runs away to St. Petersburg. Then Trofim steps off the train in St. Petersburg, a cameraman who happens to be shooting on the platform captures his arrival.

This is a part of an omnibus film called Pribitie Poezda (Arrival of a Train) made by several Russian directors, as an homage to brothers Lumiere on the 100th anniversary of cinematography. 　　One of the three films that comprise Arrival of a Train, a collection of shorts made to celebrate the centenary of cinema. Set at the turn of the 20th century, the film follows Trofim, a Russian peasant jealous of his wife for having an affair with his brother. Trofim kills his brother and runs away to St. Petersburg. Then Trofim steps off the train in St. Petersburg, a cameraman who happens to be shooting on the platform captures his arrival.

主角团需保护五名与王成秀之死相关的普通人（如王振、葛凯等），但被保护者因自身罪孽（如背叛、自私）成为诡物的复仇目标。他们面临着极其严峻的考验，需要在鬼物的追杀和竞争者的算计中活到大巴车到来将它们带离这个恐怖的地方。

中年的高宫利一辞掉了在东京压抑的工作，回到老家新泻做一名长途通宵巴士司机，开始全新的生活。一天晚上，他刚要发车的时候，十六年前跟他离婚的前妻加贺美雪上了车。他后来了解到，她在东京组建了新的家庭，这次回来是要去看独自住在新泻的生病的父亲。但是他看出了她的疲惫。高宫利一和加贺美雪有两个孩子。而他自己也在考虑与在东京开餐馆的女友古井志穗结婚。不过这次偶遇让他开始重新思考自己的人生。同时，他的儿子和女儿也在经历着人生中的转折点。

中年的高宫利一辞掉了在东京压抑的工作，回到老家新泻做一名长途通宵巴士司机，开始全新的生活。一天晚上，他刚要发车的时候，十六年前跟他离婚的前妻加贺美雪上了车。他后来了解到，她在东京组建了新的家庭，这次回来是要去看独自住在新泻的生病的父亲。但是他看出了她的疲惫。高宫利一和加贺美雪有两个孩子。而他自己也在考虑与在东京开餐馆的女友古井志穗结婚。不过这次偶遇让他开始重新思考自己的人生。同时，他的儿子和女儿也在经历着人生中的转折点。